Noise punks love splits. Noise punks love doing splits with Sete Star Sept. Sometimes noise punks who do splits with Sete Star Sept do splits with each other. I only say this because an SSS split is probably how all of you even heard of Two Million Tons Of Shit. A seemingly rando tape release that was highlighted to me by none other then Josh of Limbs Bin! Who hyped them as one of the best bands in noisegrind right now. Love like that can only mean one thing: split tape asap! Released on what has to be Josh's label, Follow Me Into The Laser Eye. Both acts toy with territory that is usually tip toed around in noisegrind; long track lengths. Particularly one track each at eleven minutes and fifteen seconds a side. Intended as an all out noise assault, of course, but also a exercise in deeper listening and total immersion in sound. Another detail I learned when asking Josh about this tape. One you can tell he is particularly happy with. With that aesthetic in mind, TMTOS's track "Cackhanded" blasts off into the cosmos with an overblown, no-fi drum and noise build up leading into torturous echoey vocals, and waves of drums beats. It's an incredible level of intensity that serves through barely noticeable bass noodling and a steady white noise of vocals. Everything is buried in thick recorded distortion. There is so much noise on this recording it's hard to tell where all of this sound is coming from sometimes. There's definitely bass and drums, that much I'm sure off, now. I honestly thought it was just a contact mic'd drum kit at first listen. While the blast parts are intense, TMTOS really let some creativity shine though with the mid-paced, tribal drum drones that pop up near the beginning and end. Imagine the most fucked up Lighting Bolt or Can free jams, right when whatever psychedelic of the night kicks in. Imagine the Gerogerigegege also somehow got on stage! These passages are great hypnotic segways, and give TMTOS a pretty unique sound. It's a monster jam that twists and turns and remains interesting throughout.
Limbs Bin, one of my favorite noise/noisegrind artists in the NY scene, delivers "Halloween 2014". Another excellent composition and recording adventure, toying heavily with his growing love for long-winded pieces. This piece, which is quote, "a series of shattered songs about ebola, confronting cars in cross walks, feeling like societal slack, and being miserable". Sounds brutal ay? Limbs Bin's core trademark sound is in tact, but all around somewhat more lo-fi and with a lot of influence from power electronics. The syncopated blasts of vocals, 1000 bpm drums and oscillating noise carry the piece. But it's all so raw, bleeding into one another, the drums pretty much act as a noise wall. The piercing feedback that's spread all through out the track is effectively hard to listen too. Even a bit disorienting at the end (listen with headphones). The recording definitely shines light on the way the recording sounds. Comprised of spliced together recordings at different times with different microphones, volumes and effects. At times Josh could be dueting with himself! Some passages are louder then others, some less distorted, more distant. Intimate and even breaking the "4th wall" of sorts (one part when you can hear the effect switches being flicked). Like TMTOS, Limbs Bin makes use of his time well and give many excellent, varied performances of consistent intensity. Watch out for cars on the road Josh!
Buy/Stream the tape HERE