Wednesday, April 26, 2017

THE CREATOR OF SENSATIONAL CLOUD RAP: AN INTERVIEW WITH LIL PERCY



Lil Percy is a 19-year-old rapper from Richmond, Virginia. Percy is a force to be reckoned with, his cloudy sadistic beats, and his versatile flow make it easy for him to rap over any type of beat. Percy is a "sensational cloud rapper" which isn't your typical cloud rap music, yes the atmospheric beats are still there, but his lyrics are pessimistic and also optimistic. With some songs talking about his drug use and sadness, even some songs talking about politics, to playful lyrics with WWE and anime references, and then talking about a girl he once dealt with. Percy's projects Moon, and Redemption filled with songs you can cry to and also turn up too. Percy is one of the most promising rappers to come out of the RVA music scene.

Q. Chay - What are some of your influences outside of rap music?

A. Percy - Definitely Wrestling, I watch some shit of Wrestling like before I wanted to rap I was at a stage where I wanted to be a pro-wrestler cause it was around me a lot as a child, my family loves that shit so I grew up watching it and you can hear it a lot in my references when I be rapping and shit, and definitely Anime I'm into a lot of Drama and shit like I like a good love story ya know? I watch a lot of anime that involve drama like example I'm on Orange right now it's a really good show I highly suggest you watch it cause it's deep as shit I got a soft spot for shit like that.

Q. Chay - How has Richmond influenced your music? Are you willing to experiment with other Richmond artist?

A. Percy - It doesn't really influence my music but it's like my hometown and since we don't really have a "sound" that's established because this city isn't really as established as it should be in the music scene, but like the people of Richmond, the artists in it are like what influences me because of how I genuinely fuck with people from here and it's like they influence me cause I don't want to let them down, cause I'm sure a lot of people here just have that certain chip on their shoulder cause they know the history of where we're at.

 Q. Chay - How long have you've been recording music? How did you get into it?

A. Percy - I've been making music since middle school, I had no mic at all and I was recording off the school laptop based freestyling out loud to the mic built into the laptop straight off audacity, I have a whole tape out under a different alias from when I was like 14, I had been freestyling and shit long before that though but actually recording was like 2012.

Q. Chay - Based freestyles, you must be a Lil B fan?

 A. Percy - Fan? Hell no I'm Bitch Mob Task Force Member for life. I took a picture with Lil B at a show in RVA, his SECOND only show being in RVA but first headlining and he took a picture with everyone who waited in line after it, and seeing him at the time in 2013 I was like... 15 nigga gave me a positive ass hug and signed my vans, I still have those vans till this day I've been listening to Lil B since 2011 like I'm really based as fuck and I hate that people think they based when they the same niggas who used to clown and call people like me gay for wanting to be positive and liking the Based God, my favorite tapes are Red Flame (not the evil red edition even though I fuck with that one too) White Flame, #1 Bitch, and Blue Flame like this nigga really dropped a tape every month in 2012 I owe Lil B my life.

 Q. Chay - What is the origin behind the names Lil Percy and Percgod?

 A. Percy - Percocet, I was popping them while I was going through some shit and a lot of shit went downhill during that period of time in my life so I don't really want to talk much about shit like that, so I didn't want my name to be associated with a drug even so adding a Y to Perc makes Percy, which has become like my 3rd name now other than my real name I'm cool with being called Percy.

 Q. Chay - How long does it take you to create an EP?

 A. Percy - Not that long but the longest I've worked on one was Redemption and that was over the course of a month because that was me and Poozy actually like working together with fresh shit, and the shortest one was Percgod is Lonely 1 which I recorded all 3 of those songs in about 15 minutes

Q. Chay - How did you come up with sensational cloud rap?

A. Percy - Well I'm a Cloud Rapper, don't want to be known as anything else so because it's not exactly cloud and I don't really sound like anyone out I'm sure it's okay to make my own genre, I have a definition for it too it's on Urban Dictionary.

 Q. Chay - How is it working with Poozy, someone who has worked in hardcore music and now working in Noise Rap?

 A. Percy - THAT NIGGA IS A G O D, no boost, like I'm always give credit where credit is due that's like the homie too so like not even trying to be biased either but when we work together shit always nice, like he knows how I think and he can translate that into how things should sound, like he’s really a talented dude, totally a different breed of musician because of what he does and how much he does, easily one of my favorite people to work with shout out P_R.

Q. Chay - Lastly, when are we getting new music from you?

A. Percy - Never.

Charlotte Sartre: My 10 Favorite Spider Species

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Friday, April 21, 2017

Crimewave x Blvc Svnd - HMD (ep)



New Crimewave ep produced by BLVC SVND out now. Listen below

Thursday, April 20, 2017

Lil Percy - RYOKUGAN (video)




Lil Percy just released his single for the track "Ryokugan" produced by BMB's Evil Haze. Stream Percy's newest release "Moon" below

Poozy - Worrier ft. False Prpht (audio)



Richmond's own, Poozy just released a song featuring fellow Prison Religion member False Prpht. Produced by Poozy and Russian artist Xerogi


Prison Religion merch available here
Listen below


Lyrics:


Poozy

"No im not fine
Its shitty sometime
The city sunken
O No its not fine
I worship money
My god in neon
A scene w honey
The milk just pours out
Until its all out
A Billion starving
Larva eats clout
A smile carving 
I see in full doubt
Of a life boat
I see in full doubt
No suicide note
Pleasure wars
A million miles
God is money
The deadly smile
Worship death 
Give me bread
Kiss the feet
Of crocodiles
 Alone at night
Haunted house 
My buzzing skin
it Turns inside out 
Worrior 
A worrier
On xanax
w Iron skirt
A Ballerina
Panics 
In runs
A gunman
Whos reckless
Fucks up shit
And shoots the whole place up"



False Prpht

"Hey bb gurl go head throw that pussy on me 
Hugn n touchn on me 
Two snakes movin thru the sheets 
Go head back thang up
Hit it from the back 
False-eto when she scream
Ridin that ass 
Ratatat 
Freaks on a leash 
Ima slug when i creep"

Wednesday, April 19, 2017

Meet Yung Flex




Niguel Deloatch also known as Yung Flex and Yung Flex La Flare is a 17-year-old rapper from Newport News, Virginia. Flex is different from other rappers not only does he make art, rap, and produce, he has a real passion for music that you don't always see in the rap scene. He doesn't just want fame and money; he genuinely loves music. Yes, there is a lot of rap metal fusion going on in the underground scene, the difference with flex is he loves metal music and can actually name the samples he uses, he doesn't just want to seem trendy and edgy. With his chokers and color nail polish he's very much not hyper masculine, it's cool though he's like the hood version of Sworn In. What samples from bands such as Mastodon, Slayer, and Knocked Loose Yung Flex's hardcore rap style will sure to have you ready to drop kick someone in the neck.

Q. Chay - Who has influenced you the most outside of rap music?

A. Flex - Probably Jeff Hardy & Marilyn Manson because, in their own ways they express the message to be yourself and express yourself no matter what anyone else thinks

Q. Chay - How did you get into Marilyn Manson and other Nu metal/Industrial metal music?

A. Flex - Mainly through WWE, I've always loved the late 90s Attitude Era since I was little and hearing musicians like Manson and Limp Bizkit and Drowning Pool got me super into those subgenres. Also, a girl I had a crush on in 5th grade put me on to a lot of similar bands like Slipknot, System of a Down, and Papa Roach.

Q. Chay - I've noticed you do a lot of art for other rappers/musicians, is art another passion of yours? If so what got you into art? who are some of your favorite artist? 

A. Flex - Art's something I've always been in to as far back as I can remember. I've just always been attracted to anything where I'm able to be creative and I've been making art since I was a little kid. Some of my favorite artists are Marilyn Manson of course, Salvador Dalí, Frida Kahlo, Tim Burton, Sergio Garcia, Keith Haring, Andy Warhol, and Banksy.

Q. Chay - What are two albums, two movies, and two art pieces that you'll say has similarities to your music?

A. Flex - For albums, I'd say WWF Aggression & Limp Bizkit's Chocolate Starfish because they both incorporate rap & rock/metal like I do with my music. For movies, I'd say 8 Mile & Get Rich or Die Tryin' because they both show what the artists went through to get to where they are and I try to rap about my own struggle getting to where I want to be (in my more serious songs). For Art I'd say The Old Guitarist by Pablo Picasso because to me, it shows that no matter what you're feeling or going through music will always be there and I've always been one to keep pushing with my music no matter what's happening. I'd also choose this one piece by Marilyn Manson that kind of looks like a melting skull, I feel like that's a physical depiction of what my music sounds like. 

Q. Chay - Who are some of your favorite producers that are local? Who are you favorite producers you've worked with?

A. Flex - Even though they're technically not local I got to show love to my favs in Richmond: ItsGottii, Poozy, Sensei2400, SoundsBySoy, Yung Regret, and I'm probably forgetting. As for the 757 my favorites are probably Big Los and Memphis909. My favorite producers I've worked with directly are definitely Ghoulavelii/Big Bitter, Crimewave, BruhManeGod, Craigslist/Chainsaw and Martyr Boy

Q. Chay - Why should people care about Yung Flex? Why should people click the link to your music?

A. Flex - I feel like I bring an element to rap music that's rarely done correctly, and I make music for everyone whether you want something where I'm more serious or just having fun and saying whatever. I think it's easy for anyone to get into my music.

Q. Chay - Lastly, when is Pitmode dropping?

A. Flex - I don't have a concrete date yet, but it's definitely soon. It's about 98% done I want to make sure it sounds as good as possible. I feel like it's the best work I've done yet.

"SHOUTOUT TO CHAY, SHOUTOUT TO ALL MY BROTHERS IN DEATH CAMP, AND SHOUTOUT LOST APPEAL"

Sunday, March 20, 2016

Sedem Minút Strachu/PTAO - Split 7" (2015) Review

With a consistent, unbroken string of perfect recordings, Sedem Minút Strachu have rapidly climbed up tobe one of the most beloved noisecore acts going right now. And one of my personal favorite bands period. Up there with the contemporary greats of the genre like Sete Star Sept, Shitnoise Bastards, and Penis Geyser. Last year Psychocontrol Records released a split 7" between 7M$ and Czech noisecore lifers PTAO. A veteran band who have been around since the mid nineties, very creative work, fantastic group. What an excellent record this is, it's truly a beat down. 7M$ relentlessly tear ass on their side, perfectly executing brutal noisecore in their now staple way. Nonsense, low-end, distorted walls of bass cacophonously swarm the listener. With Jan's spastic, but crazy tight blasts and drum fills giving all of the 14 "songs" on here attention grabbing and pummeling momentum. It's one of my favorite recordings by the band so far. The bass's have a nice amount of mid-range tones that give them a little more crunch then usual. And they just go off, there's no mercy, no music is spared by the noise!


PTAO's side is another slab of pure brilliance. It's a 51 song slathering of orchestrated blasts from a finely aged band that has not gotten weary at all. Short 3-4 second microsongs make up the bulk of this piece. With varying intros and transitions between each attack of dual vocal grunts and blown out guitar. The classic stick clicks and snare hits are there. But PTAO also incorporate some stuttering stereo panning noises, samples, and drum beats of various styles during the course of their time here. I can't help but be captivated and in awe of the craftsmenship and creativity here. It's a wonderful sounding recording too, quality was not spared any expenses on this side. Both sides get two thumb's way up from ol' VII.


Psychocontrol did a wonderful packaging job for this split. The cover is a super thick and glossy fold over sleeve. Everything is neat and tidy, fully detailed and has numbered inner sleeves.


Pick this up, I implore you.

Listen: HERE!
~VII