Anywho, FTF have really upped the heaviness and weirdness on this album. Honestly, probably some of the heaviest material they've written since "Stigmata High Five", pulling back on the melodic parts just a little bit in favor of more layers of technical guitar work, some solos, non-conventional chords, some great vocals from Mel and bass player Marc, and non-conventional chords. Some parts like the beginning of the first song "Drift" and "A Cowards Existence", probably my favorite song on the album, actually kinda remind me of Hate Eternal in terms of how they utilize weird/crazy riffs. Though when they do bring-out the melody, it's sounds so epic and grand. They even threw in some clean(er) vocals on 7-minute centerpiece "Census Blank"(please don't let that freak you out). There's also way more bass on "Die Miserable" than a lot of previous efforts, which I really like cause Marc is a great player, and offers a lot on this album in terms of rhythm and song-writting. It's a great group effort, and I think the different influences brought from each member shows. It sounds like FTF really wanted to go all out with instrumentation on this album, doing a lot more with overdubs and less traditional grind nuances(is that a toy piano I hear in the middle on "A Cowards Existence"?). It's great see that FTF can still experiment and toy with their sound, and still sound like they always do! And yeah, did I mention that it's really fucking heavy? Awesome album, please buy it!
Rating: 8/10
~VII
this is a band that just never clicked for me. i'm trying to write up something on die miserable myself right now and i find it really sterile, emotionless and dull. what a i missing? i'm curious what you're hearing that maybe i'm not?
ReplyDeleteit's hard to say Andrew, I just like how they sound. I think the riffs are good, the performance is on point and tight, and seeing them live really helped strengthen my appreciation for them
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